CWRI2016 Writing Genre Fiction Report Sample

CWRI2016 Writing Genre Fiction Report

Detailed information on assessment tasks

1. Three character sketches of approximately 200 words each, all engaging with the genre or sub-genre you are interested in working with this semester, plus 200 words summarising your observations of how character tends to operate in your chosen genre or sub-genre (i.e. are there certain archetypes at work?; What tends to happen to the major characters; How will your own characters subscribe to or counter these practices?). The sketches, as outlined in class and refined in workshopping weeks, must demonstrate the function of the sketch as 'word-picture' or of imagery only, making sure to 'show, not tell.' Note that the genre or sub-genre you choose must be one of those set for discussion as a key topic for this unit.

Length: 600 words of sketches, plus 200 words of assessment reflection.

Please take note of the heading in the grading rubric for this assessment that describes the weighting placed upon your contribution to peer learning during the workshopping week prior to submission of this assessment. There will be two Turnitin submission points provided for this assessment in Blackboard. The first is a Revision (or DRAFT) submission point where you can submit your draft for this assessment. Only ONE draft submission is allowed, for which you will receive formative feedback from Turnitin in the form of an Originality report. Note in busy periods an Originality report may take Turnitin up to 24 hours to generate.

Late submissions to this point are NOT allowed. The assessment submitted here will NOT be marked. The second is a FINAL submission point where you can submit your final version of this assessment. ONE submission only is allowed, for which you will receive formative feedback from Turnitin in the form of an Originality report. Note in busy periods an Originality report may take Turnitin up to 24 hours to generate.

Late submissions to this point are allowed (and will be subject to penalties as per the Late Assessmentpolicy in this unit outline). The assessment submitted here will be marked.

2. Choose three genres from those discussed in this unit and write a short scene in each genre. It is not expected that each scene form a whole narrative. It is not expected that the scenes be connected to form a continuous narrative. The purpose of this assessment is to demonstrate your understanding of the generic conventions of your chosen genres.

Length: 3 x 400 word scenes = 1200 words, plus 200 word reflection.

Solution

1. Character Sketches

Helen Brookker

Helen Brooker is a 37-year-old private investigator. She is known for her sharp thoughts and constant preference to uncover the truth. She works with no-nonsense thoughts in a city full of corruption and dark secrets. She usually dressed in sensible black clothes that helped her blend into the shadows. Her workplace is hidden in a crumbling building which is a mess of newsletters and jumbled old papers, and no matter the difficulty outside revealing tangled secrets. The past traumas burden Helen because her youngest sister lost irreparably. This personal tragedy inspires her to feel a resolution as well as allows her to remain in an asylum and a prison (Yan et al., 2020). While fighting the town’s criminals, Helen simultaneously faces her internal demons of the unresolved lack of her sister. Her quest for closure is a never-ending struggle. This reveals a deep war within herself. Helen’s mix of resilience and vulnerability makes her the most powerful part of her world. This sketch connects to crime friction via an ambiguous character. Helen works in a corrupt and mystery-filled town. The dark instances, her relentless pursuit of reality, and his internal war with past trauma inform the stories of classic crime fiction (Pirandello, 2022).

Jone Addams

29-year-old ex-convict Jon Adams lives at the fringes of society. He tries to stay out of trouble however is usually dragged again into the underworld. His pores and skin are messy with scars that touch his aggression of the beyond. Jon spends his days operating in a mechanic's shop which is making him a low profile (Allan et al. 2020). On the other hand for MBA Assignment Expert, his nights are stressed because he is haunted by the crimes he committed and the enemies he made. Jon has insomnia and is haunted by way of the crimes he committed alongside the manner and the enemies he made along the way. He is usually on the edge as well as searching over his shoulder. By doing this, he understands that one incorrect move could ship him again to jail or worse which cost him his life. Despite Jon’s honest efforts to reinform, it’s nearly possible for him to break out of his harsh old life. The underworld to which he once belonged continues calling to him. This particularly happens when an old best friend reappears as well as dragging him right into a risky scheme. Jon’s character is an internal battle between a yearning for redemption and an obsession with repetition.

Michelle Harper

Michelle Harper is a 45-year-old police detective regarded for her sharp instincts and unwavering commitment to justice (Gulddal & King, 2020). She has uncovered the darkest aspects of humanity due to the long years of working in this field and her worn-out eyes and deep traces etched into her face have left their mark. Michelle is a single mother who balances the demands of her job and the challenges of elevating a teenage son. He’s at the age at which rebellion begins and he checks the strict regulations he enforces at home. Their humble and simple home provides little personal touches that add warmth, not like the dreariness he encounters every day at work.

Michelle's latest case includes a brutal murder. This hits uncomfortably near home as well as evoking fears and vulnerabilities. She commonly hides as the event forces her to face the truth of even her formidable strengths the restrictions (Stougaard-Nielsen, 2020). As she digs deeper into the investigation, emotional wreckage starts to creep into her personal life. This is provoking the sensitive balance she has fought so hard for. Michelle’s person is a testimony to her relentless pursuit of justice. It speaks of strength and resilience even as the cracks in her armour begin to show below the weight of her obligations.

2. Assessment reflection

This trio Helen Brooker, Jon Adams, and Michelle Harper offers a rich foundation for the development of crime friction. Each individual contributes particular elements of the genre for a story full of tension as well as ethical ambiguity, and mental depth. Helen brings up the theme of personal demons struggling with professional tasks along with her relentless search for truth and the past. Jon’s struggle for redemption and relapse adds a touch of conflict and uncertainty, showing the thin line between good and evil. Michelle who is an experienced detective brings the perspective of resilience and inner turmoil as well as focusing on the human cost of the pursuit of justice.

These characters create a dynamic interaction of motivations and conflicts together. This is important to growing a compelling narrative. The variations of their personalities Helen’s bloodless dedication, Jone’s vulnerability, and Michelle’s weary steadfast dedication help to permit complex interactions and plot twists. These characters effectively dive into the plot as well as have a deep emotional resonance which makes the story thrilling and compelling.

References

Allan, J.M., Gulddal, J., King, S. and Pepper, A. eds., 2020. The Routledge Companion to Crime Fiction. Abingdon: Routledge.

Gulddal, J., & King, S. (2020). Genre. In The Routledge Companion to Crime Fiction (pp. 13-21). Routledge.
Pirandello, L. (2022). Six characters in search of an author. DigiCat.

Stougaard-Nielsen, J., 2020. World literature. In The Routledge Companion to Crime Fiction (pp. 76-84). Routledge.

Yan, C., Vanderhaeghe, D., & Gingold, Y. (2020). A benchmark for rough sketch cleanup. ACM Transactions on Graphics (TOG), 39(6), 1-14.